Published
Mozart Piano Concertos Nos 25 and 27: Piotr Anderszewski and Chamber Orchestra of Europe. Album out now
‘I understand Mozart piano concertos as chamber works. The piano, orchestra, and individual instruments engage with each other, dialoguing continuously. At the same time, these are hidden operas: the musical themes, motives interact, unfolding their stories, each with their own voice and distinctive character. Mozart is the composer of ambiguity par excellence – the most luminous moments can be interwoven with such darkness. Where is the light, where is the shadow? Sometimes, I don't really know. And yet this is music of such evident limpidity. It is a miracle.’ –Piotr Anderszewski
‘I understand Mozart piano concertos as chamber works. The piano, orchestra, and individual instruments engage with each other, dialoguing continuously. At the same time, these are hidden operas: the musical themes, motives interact, unfolding their stories, each with their own voice and distinctive character. Mozart is the composer of ambiguity par excellence – the most luminous moments can be interwoven with such darkness. Where is the light, where is the shadow? Sometimes, I don't really know. And yet this is music of such evident limpidity. It is a miracle.’ –Piotr Anderszewski
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